![]() ![]() The MultiTrak comes complete with a 100-page operation manual which includes voice charts for all 100 factory presets, a 22-page MIDI Guide giving the instrument's complete MIDI implementation, a foldout instruction card giving a brief but concise overview of how to use the synth (particularly neat, this), and a schematic diagram of the front and rear panels with each area labelled and described. Those of you who may have cause to bemoan the MAX's lack of a battery-backed-up RAM will be glad to know that all sequences and stack/split assignments are retained through power-down, and as with the SixTrak, a generous 100 voice memories are provided, all of which are fully programmable and storable. In other words, all the facilities of a SixTrak, plus a little more besides. Other features are a built-in six-track sequencer identical in layout to the one fitted to the SixTrak and MAX, individual audio outs, a programmable chorus unit, a split-keyboard facility, Sequential's much-praised Stack mode, and an Arpeggiator. To be concise and straightforward for a moment (and with the MultiTrak, it's going to be a rare moment), Sequential's latest is a six-voice, multi-timbral analogue polysynth with a five-octave velocity-sensitive plastic keyboard. ![]() However, the SixTrak also saw Sequential going for digital parameter access and additional onboard features in a big way, and most important of all it introduced the concept of 'multi-timbral' sound to the budget synth market. But continuing in the company tradition of flying in the face of synthesiser fashion, Sequential gave the SixTrak a conventional analogue, voltage-controlled internal configuration. It came at a time when the synth arena was still very much feeling the after-effects of a technological earth tremor, the one that accompanied the arrival of Yamaha's DX series of FM digital polysynths. Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.It's now a little more than a year since Sequential (or Sequential Circuits Inc, to give their full but now rarely used title) introduced the SixTrak polysynth to the music markets of the world. Poly Aftertouch, sends the pressure per key instead of the whole channel. Channel Aftertouch, no matter which key, it will send a Channel message. Saw / tri / pwm / noise with Tuning and glideġ600 note sequencer with quantize and overdub.Īs with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. ![]() One LFO with square / triangle / depth / rate With an original list price of about $1,500, these days they can be found closer to $300 - a great bargain for classic Sequential sounds with onboard sequencing and patch memory. Sequences are recorded in real-time (no step-time modes here).Īdditional features include MIDI in/out, six separate audio ouptuts (one for each voice) and a stereo output, built-in stereo chorus effect and a 5-octave keyboard with velocity sensitivity and split/layer modes (layer up to six different patch sounds onto one note), stereo chorus, and backup via tape dump. Sequences could be chained together and patches could be changed on the fly. It could store up to four polyphonic sequences with a metronome, 1600 note memory, an overdubbing mode and quantizing (autocorrect) functions, individual track volume and speed controls. But lying at its heart is a sophisticated (for 1985) onboard sequencer. It also features a nice arpeggiator with hold and transpose functions. (The only dedicated knobs are for sequencer volume and speed, chorus depth and rate, master tune and volume.) There are 99 memory patches for your analog sound creations. It's a six voice analog synth with sophisticated filters, envelopes, modulation capabilities and built-in sequencing.Īs was the developing trend around this time in the mid-eighties, programming was being streamlined into using the buttons on the matrix keypad to assign parameters to a rotary knob. Sequential's MultiTrak had everything - for its time - and to this day, it still sounds great! During the era of the Roland Juno synths, Sequential overhauled their programmable little SixTrak analog sequencer synthesizer and came up with the MultiTrak.
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